studio

MIX ROOM’S:
Bruelsound
Edit Room & Maq Records Studio B

analog console : pas­sive — tube — hand made — sum­ming — mas­ter­ing console + Sound­tracs Soli­taire — 32 ana­log chan­nels desk
monitoring :  cus­tom tan­noy dmt + hypex amp, jbl 4012, hafler TRM8, avantone,  kef, akg, b&w …
mix system : Pro Tools 12.4 + Apogee Symphony + Mackie HUI & Novation DAW Controler
outboard :
Jk Vintage Amp (8ch tube/transformer Processor) + Passive Summing Box
IGS Tubecore (Mastering Man­ley Vari-Mu – mod­i­fied style)
A-Design Ham­mer (Mastering Tube EQ)
Eventide & OTO BAM & TC Electronic (externall reverb)
TC Elec­tronic Final­izer
TL Audio (mod­i­fied tube compressor)
UAD 2 dsp card
itb :
pro tools, uad, ssl, waves, weiss, sound toys, fabfilter, dmg audio, mcdsp, son­nox,  psp-audioware, eoisis, softube, izotope, slate digitall, drms, elysia, valhalla, eventide, klanghelm, nugen, sound radix, expotential audio, flux, plug&mix, spl, met­ric halo, izo­tope, tdr, brain­works, blue cat, xfer, goodhertz, balance, native instrument, massey, ddfm, plugin aliance, hofa, focusrite, arturia, bias, output, acoustica audio, phoenix, …


RECORDING STUDIO:
Maq Records Studio A

Con­trol Room 1 : 30 m2
Live Room 1 : 50 m2
Live Room 2 : (drumm booth) 18 m2
Live Room 3 : 15m2 (sound absortion booth)
3x Iso Booth : (amp booth) 3m2

Desk: Audi­ent ASP8024 — 36 mic + 36 linie input, 14 aux, 8 bus, stereo bus compressor — ana­log console, Redco Audio R196 based patchbay,

Record­ing: Pro tools HD 10 + Native 12.4, Lynx Con­vert­ers (firewire+HD), Apple Logic Audio 9, Mac Pro,

Mon­i­tor­ing: Gen­elec 1037+ Yamaha NS10M (Yamaha A100 Amplifiler) + Yamaha HS-10W, Avan­tone Mix Cube, Mackie HDR, Focal SM9,
Fur­man Per­sonal Mix­ing Sta­tion

Pre­amp:
Neve 1073 DPA (2ch),
Great River ME-1NV (2ch),
Focus­rite ISA 828 (8ch)*
Audient ASP8024 (36ch)
Groove­Tubes The Brick *
Presonus (25ch)*, DBX (valve tube 2ch)*,

Dynam­ics, EQ:
Loop­trot­ter Mon­ster
IGS Tubecore (Man­ley Vari-Mu mod­i­fied style),
IGS 2–1176 (UA 1176 mod­i­fied style),
IGS SSL Bus com­pres­sor (SSL Bus com­pres­sor mod­i­fied style)*
SPL Charisma (8 ch. mod­i­fied tube proces­sor),
Audi­ent stereo bus com­pres­sor,

Guest Room, Chill­out Room, Bed­rooms, Kitchen, Bath­room, Parking, WiFi, Coffe, Tee, Pizza, Catering


Maq Records Edit Room C
Outside Studio Recording
Live Concert Recording


Microphine’s :

Rib­bone:
AEA R84 (x2)
Oktava ML-52 (x3)
Bey­er­dy­namic M160
Royer 121 (x2)

Large Con­denser:
NEUMANN U87 (X2)
NEUMANN U69 (stereo)
AKG 414 BXL (x2)
Brauner Phan­tom
Oktava 219 (x3)
Oktava 011 (mid­dle)
Stu­dio Project C1
Stu­dio Project B1 (x2)

Valve Tube :
Peluso P12 (AKG C12 copy)
Oktava MKL2500 (x2)
Custom Vintage Tube (u47 vintage)

Small Con­denser:
Earth­works QTC30 (x2)
Shoeps CMC6 + MK4 (x2)
Rode NT5 (x3)

Dynamic:
Yamaha Sub Kick
Sennheiser e 604 (x4)
Sennheiser 421 (3x old)
AKG D112
Shure Beta 52
Shure SM58 (x2)
Shure SM57 (x7)
Shure Beta 58
AKG D770
Audix D6

on request rental Mic’s

Head­phones:
B&W, AKG K 701 Ref­er­ence*, Beyerdynamic DT770, AKG K271 STUDIO, AKG K171 STUDIO, AKG K240 MONITOR, AKG K240 mkII, AKG K141 mkII (x2), AKG K141 MONITOR (x2), Sennheiser HD202, Senheiser HD200, Superlux HD660, Superlux HD681

Instru­ment:
Sans Amp PSA 1.1
Ampeg Classic + SVT-10HLF i 10HE
Cus­tom Laboga Alli­ga­tor
Gui­tar Rig
Stu­di­o­logic Fatar Nova
KURZWEIL K2500
PEARL, Paiste 502, Lukawski Snare, Zildian
Cooperation with Piano Rental Firm
Cooperation with Musicians, Arrangers, Composers, ….


adress:
MAQ Records Studio: 42–580 Wojkow­ice (Ślaskie); ul. Spokojna 31; Poland